
Takumi Myo MC
March 13, 2026
Audiobyte Super Hub Streamer
April 2, 2026A Decade in the Making
Since 2012, Audiobyte has been engineering digital audio systems that strip away the veil between the recording and the listener. The SuperHUB, the SuperVOX — every product in our Super Series exists to preserve, not to impress. The SuperHEAD is the natural and inevitable conclusion of that chain: a headphone amplifier conceived with the same obsession for signal integrity, born from a family that has always believed that the shortest path between two points is also the purest one.
“We did not set out to build the most powerful headphone amplifier on the market. We set out to build the most truthful one.”
This is our first dedicated headphone amplifier. It carries twelve years of accumulated knowledge — and it wears that heritage quietly, the way any well-crafted instrument should.
Design Philosophy – Refined, yet forceful. Revealing, not flattering.
01 — Signal Path
Shortest Route. Fewest Compromises. The SuperHEAD was designed around an obsession with simplicity in the signal path. Every additional component between source and ear is a potential source of coloration — a subtle smearing of the original intent. A shorter, more deliberate path means less opportunity for the signal to be altered, and a greater chance that what reaches the listener is precisely what was recorded.
02 — Component Selection
Active Devices Chosen for the Task. The active components in the SuperHEAD were selected on the basis of their technical parameters. The goal was not simply to find good individual devices, but to identify components whose specific technical characteristics complement one another — each contributing a distinct strength, and together forming a circuit that performs beyond what any single element could achieve in isolation.
03 — Output Array
Precision Through an Array, Not a Single Large Device. Rather than relying on large, bulky power transistors, the SuperHEAD output stage integrates a carefully matched array of smaller, high-precision devices working in concert. This approach yields a more linear, better-controlled output stage — one that maintains composure and authority across all headphone impedances, from low-impedance planars to high-impedance dynamic drivers.
04 — Nuance First
Power Is a Tool. Subtlety Is the Goal. High power output figures are easy to achieve and easy to advertise. The much harder engineering challenge is to preserve — at all volume levels — the micro-dynamics, spatial cues, and harmonic textures that transform a listening session into an experience. The SuperHEAD was cooked slowly, with care, to serve exactly that purpose.
Technical
| Audio Performance | |
| Signal-to-Noise Ratio (1 W / 32 Ω) | > 125 dB |
| THD (1 V RMS, line out) | −118 dB |
| Maximum Output (100 Ω, 1% THD) | 17 V RMS |
| Bandwidth at Gain 1 | DC – 800 kHz (−3 dB) |
| Maximum Attenuation | −90 dB |
| Gain Range | 0 – 20 dB (adjustable in 0.5 dB steps) |
| THD vs. Load & Output Power — Balanced Output | ||||||
| Load | 0.1 W | 0.25 W | 0.5 W | 1 W | 2.5 W | 5 W |
| 16 Ω | −115 dB | −113 dB | −110 dB | −106 dB | −103 dB | −100 dB |
| 32 Ω | −117 dB | −114 dB | −113 dB | −110 dB | −103 dB | −100 dB |
| 50 Ω | −117 dB | −116 dB | −112 dB | −108 dB | −100 dB | −92 dB |
| 82 Ω | −113 dB | −113 dB | −109 dB | −104 dB | −94 dB | − |
| 100 Ω | −112 dB | −112 dB | −108 dB | −102 dB | −92 dB | − |
| Connectivity | |
| Line Inputs | XLR balanced, RCA unbalanced |
| Line Outputs | XLR balanced, RCA unbalanced |
| Headphone Outputs | 4-pin XLR balanced, 4.4 mm balanced, 6.3 mm unbalanced |
| User Interface | |
| Display | IPS Capacitive Touchscreen |
| Volume Control | Precision Rotary Encoder + Touchscreen |
| Power & Mechanical | |
| Power Supply | Linear, internal |
| Power Consumption | 40 VA |
| Chassis | Full aluminium, CNC-milled, bead-blasted, anodized |
| Available Finishes | Matte Black / Matte Silver |
| Dimensions (W × D × H, incl. feet) | 300 × 290 × 60 mm |
| Weight (net) | 5.5 kg |
| Specifications subject to change without notice. All measurements taken at final production release. | |





